Well, which grits I use is based on whether I'm going to stain the floor and how dark the stain will be. However, if the floor is going natural, I would start by cutting the floor with 50 or 60 grit on the hummel. After that I would use 36 grit on the trio to flatten tthe hell out of the floor. Next I would go back over it with 80 or 100 on the hummel again. The trio will leave very distinct and noticeable elliptical scratches with the heavier grits. That is why the hummel is necessary after the 36 grit pass. The other way to do it would be to cut the floor over and over with the trio until you finally reach 80 or 100 grit disc, but this obviously takes fooooooooorrrrrreeeeevvveeer. The hummel route speeds up the process ten fold. After the second hummel pass I would use probably a 100 grit disc or move straight to a 60 to 80 grit screen. you could go with a higher grit screen but it really doesn't matter. The trio gets floors so smooth that it almost adds depth. That is the only way I can dsescribe it. Even a 60 grit screen on the trio looks and feels amazing. When it comes to staining a herringbone floor dark. Boy, I don't know if I would even attempt to use the trio as a finishing tool. I would flatten the floor with 36 grit , but probably abandon the trio after that. Reason being is that it gets the floors so smooth that it closes off the grain preventing the stain to take dark. Good news is, if someone is asking you to install a herringbone pattern they probably are smart enough and rich enough to purchase a floor that fits their color tastes. Hope that answered your question.
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